A Night In The Park

A Night In The Park

© 2005 Martin Liew Photography

This photograph was made after a couple of early attempts and I wasn't satisfied with the results. Like landscape photography, night photography requires not only one-time exposure at a given time at one fixed vantage point of a selected location. Initially, it requires the photographer to find the right vantage points and make a couple of bracket shots. It also requires the photographer to come back to the same location on different days and timing for more different feel and mood to get the perfect image from the mind's eye, if the early results aren't good.

So on this particular night, I was walking in this residential park in the North area, hoping to make some good night pictures. I came back to this bridge where it's right across a huge canal towards a big field. After walking around to find the right vantage point I wanted, I set up my tripod, mounted the camera, and made the shot.

I really enjoyed this part of the area where the lighting caused this wonderful ambiance to the surrounding, as much as I enjoyed the process of making this picture. It makes me feel like I'm being there every time I see it. What a night in the park!

Shanghai TLR • KODAK TMAX400 • 3min 40secs

Doors #3

Doors #3

© 2005 Martin Liew

Shanghai TLR • KODAK TMAX400 • 3min 40secs

Doors #2

Doors #2

© 2005 Martin Liew

Shanghai TLR • KODAK TMAX400 • 3min 40secs

Doors #1

Doors #1

© 2005 Martin Liew

Shanghai TLR • KODAK TMAX400 • 3min 40secs

Gate #3

Gates #3

© 2005 Martin Liew

Shanghai TLR • KODAK TMAX400 • 3min 40secs

Gate #2

Gates #2

© 2005 Martin Liew

Shanghai TLR • KODAK TMAX400 • 3min 40secs

Gates and Doors series

Gates #1

© 2005 Martin Liew

Gates and Doors series

Here's another mini-project series on gates and doors. All were taken during my Nite Projekt trips. Somehow in some way or rather with strange feelings, I'm always drawn to gates and doors especially in the night where each individual gate and door presents itself as the "guardian" or "protector" of the respective building. Not to forget about the surrounding lightings that provide enough brightness and contrast on the gates and doors, along with its own shadows cast against the wall or on the ground. Gates and doors are entrances or passageways that lead oneself into an unknown premises which hold so much mystery, curiosity and even fear. To some, they bring hope and security.

Shanghai TLR • KODAK TMAX400 • 3min 40secs

Shanghai Hotel

Shanghai Hotel

© 2005 Martin Liew

Shanghai Hotel

It was a great challenge upon taking this picture, in terms of composing and finding the "right" vantage point/angle. The building on the foreground is Shanghai Hotel and River View Hotel on the background.

I was attracted by the grandeur of Shanghai Hotel with all the spot lights shining upon its majestic building structure. As I wasn't able to frame the whole building with a TLR of 75mm fixed lens, I had to compose and frame in a way to show the scaling and dimensional size of Shanghai Hotel. Hence River View Hotel came into view in the background. There was a strong spot light shining not directly on it but enough to view its name, creating a slightly dim effect compared to the foreground building lights. The lights from River Vew Hotel rooms showed enough shadow details which in turn made the building more three-dimensional. Because of this, I was able to show the depth of field between these two buildings. Here the lighting plays an important part.

Shanghai TLR • KODAK TMAX400 • 3min 40secs

Water Reflection

Water Reflection

© 2005 Martin Liew

Water Reflection

I came across this water fountain at The Esplanade Park, formerly known as Queen Elizabeth Park. The fountain is named after a very wealthy but generous merchant, Tan Kim Seng who was the first Chinese magistrate in Singapore. His numerous contributions to the society include the suppression of the secret society riots in 1854 between the Cantonese and the Hokkien communities. First unveiled in Fullerton Square, this beautiful Victorian-style fountain was built to commemorate Tan Kim Seng's generous cash donation in 1857 to improve Singapore's water supply. The memorial was later moved to Battery Road in 1905 and to its present location in 1925.

I was attracted by one of the four cherub statues as shown above; not by its own structure but its own water reflection. Here I tried to compose it in a subtle way as possible by showing the full body reflection in the water and its leg or body cropped in half on the upper frame. It was a challenge to compose and make the exposure with a TLR. The result is still acceptable. I'll go back for a few more attempts to get the desired result I wanted.

Shanghai TLR • KODAK TMAX400 • 3min 40secs

POINT TO WATCH

• I could have waited for the spotlights to go off as they certainly caused much distraction. On the other hand, without the spotlights, there'll be no lights shining on the cherub statue, in turn reflected back in the water.

• There are certainly a number of ways to get the right exposure after the spotlights go off. Either use a flashlight to pop some lights on the statue alone on a reasonable range where it's enuff to reveal some details back to the water reflection OR shine a strong searchlight on a light reflector to serve as diffused light on the statue. Well it can take quite some work to get it done successfully.

'TWINS' #5

'TWINS' #5

© 2005 Martin Liew

Shanghai TLR • KODAK TMAX400 • 3min 40secs

'TWINS' #4

'TWINS' #4

© 2005 Martin Liew

Shanghai TLR • KODAK TMAX400 • 3min 40secs

'TWINS' #3

'TWINS' #3

© 2005 Martin Liew

Shanghai TLR • KODAK TMAX400 • 3min 40secs

'TWINS' #2

'TWINS' #2

© 2005 Martin Liew

Shanghai TLR • KODAK TMAX400 • 3min 40secs

'TWINS' Projekt Series

'TWINS' #1

© 2005 Martin Liew

'TWINS' Projekt Series

'TWINS' Projekt was formed during my Nite Projekt series. As I travelled around the city by foot, I got to see more things than just riding a bicycle or driving a car with which one tends to oversee or miss certain things or details.

I was intrigued by the symetrical patterns and identical structures of the subjects I photographed. Hence the first impression and idea came across my mind. The subjects make me see them in different ways, metaphorically and emotionally. Well pretty much on personal preference here. It's subjective as well for any viewer.

Anyway I approach this project in a straight forward and conventional way in the fine-art photographic style. In this case I'm not making portraitures as the title stated. I take it as it is at the time of exposing. This sub-series is also an ongoing project which I think will take much longer time to complete. So far I got a few images made and this is the first one for your viewing pleasure. More to follow up.

Shanghai TLR • KODAK TMAX400 • 3min 40secs

Fountain of Youth

Fountain of Youth

© 2005 Martin Liew

Fountain of Youth

Fountain of Youth was made conventionally in fine-art style. The ambience lighting was so right and I couldn't resist this beautiful scene. The softness of the water certainly adds up more atmospheric mood which makes the whole image quite romantic.

Shanghai TLR • KODAK TMAX400 • 3min 40secs

POINT TO WATCH • I could have move back more for a wider view all round i.e. to reveal more of the fountain on the foreground and the wall on both sides in the background.