Night Street Photo - Bubble Girl

Nikon D70s on 50mm f/1.8 @ f/2.8, 1/30sec. E.V. +1.0 AWB ISO 900 Matrix Metering. Mono-conversion in Photoshop.

Night Street Photo - Night Shift II

Nikon D70s on 50mm f/1.8 @ f/3.5, 1/8sec. E.V. +0.7 AWB ISO 200 Matrix Metering. Mono-conversion in Photoshop.

Night Street Photo - Night Shift

Nikon D70s on 50mm f/1.8 @ f/2.8, 1/60sec. E.V.+5.0 AWB ISO 1600 Spot Metering. Mono-conversion in Photoshop.

Night Street Photo - No Entry

Nikon D70s on 50mm f/1.8 @ f/2.8, 1/30sec. E.V.+5.0 AWB ISO 1600 Spot Metering. Mono-conversion in Photoshop.

Night Street Photo - Back Alley

Nikon D70s on 50mm f/1.8 @ f/2.8, 1/30sec. E.V.+5.0 AWB ISO 1600 Spot Metering. Mono-conversion in Photoshop.

Night Street Photo - Pre-Occupied II

Nikon D70s on 50mm f/1.8 @ f/2.8, 1/60sec. E.V. +5.0 AWB ISO 1600 Spot Metering. Mono-conversion in Photoshop.

Night Street Photo - Pre-Occupied

In my previous blog I mentioned about doing night street photography and last night after work I walked the street with my digital camera. I've been doing day time street photography almost every weekend and based on last night experience, it served as a warm-up exercise. So I wouldn't expect to get any single best shot or so it seems.

I walked and took photos just the way I do day time street photography but with many great challenges like low light ambience, focusing issue, etc. I've tried auto-focus and manual focus with different camera settings. There's no fixed settings for every street scenery. Just have to pre-adjust when the situation calls for.

I was taking some shots of the Clive St coffee shop (in the background shown above) when this Indian gentleman came along and stood still right in front of me. He stood there for a few moments, looking at his cell phone and I took a few quick burst shots when suddenly he looked up, paused and turned to his left side. From the look of his eyes in this street photo, his mind seems to be pre-occupied. Soon after he walked away.

So I considered myself pretty lucky. Luck is quite important when doing street photography. This Indian gentleman didn't even bother whether I took his photos or not. I bet he didn't even notice me in the first place as the spot I was standing on was in low light condition and I was wearing black T-shirts. My camera was set to Manual Focus mode and I literally had hard time focusing on him. But in the end I managed to get it.

Nikon D70s on 50mm f/1.8 @ f/2.8, 1/60sec. E.V. +5.0 AWB ISO 1600 Spot Metering. Cropped and mono-conversion in Photoshop.

NEWS Announcement!

Good evening fellow night dwellers! I hereby proudly announce that a new night photography group has set up in Flickr on 18 May 2014, Sunday, founded by fellow night photographer, CS Lee and myself.

It's called Night Photography Asia Community (NPAC for short).

Log on to Flickr now and find out more. You can do a Group Search in Flickr by typing the full group name or click on the image above.

The main reason why we set up this group is that both of us have not really come across any night photographs, be it on film or digital format, made in any part of Asia countries. We've seen many night photographs from US and Europe. But why isn't there any in Asia regions?  Maybe there are but just that it's scarce to come by seeing one.

Many photographers would pack up when night falls and call it a day. There are so many beautiful things at night to make photographs of. Night Photography covers a wide aspect of techniques and subjects namely landscape, cityscape, urban streets, abandoned buildings, Milky Way, star trails, moving clouds, light-paintings and many more.

Lee and I are both passionate about night photography and we want to create an awareness so as to promote Night Photography as well as to inspire many others to pick up this photographic craft. So we hereby call out to all night photographers from Asia countries to join us at NPAC.

We're still at the early stage and we do have plans for future NPAC activities. But for now we're taking one step at a time working our way to make NPAC active. Do spread the word and let your friends know about NPAC.

Last but not least, we have also set up a night photography fan page on Facebook. Do LIKE us here and get new updates on tips and tricks and many interesting topics on Night Photography.

We hope to see you guys and your work at NPAC. Cheers!

Night Street Photography

Tonight I'd like to talk about night street photography. In case you do not know that I do lots of day time street photography and it isn't the first time I did night street photography. I used to shoot color negatives on my Nikon FM10 with a 50mm f/1.8 lens at night. Did a little with my Nikon D70s with the same lens. Hand-held shooting technique certainly poses a great challenge for night street photography.

The night photo shown above was taken in the same wee hours after my visit at the Fort Canning Park (the Fort Canning Lighthouse). I was heading back home and walked past this back alley, next to this Ritz Mansions condominium. Literally I walked past the openly displayed couches. I did noticed but subconsciously my mind told me to turn back and I'm glad I did. I set up my tripod and made two quick exposures at 15 seconds each.

Lighting condition was drastically great in contrast with super hot spots from the street lamps on the far right frame and some from the wall lights on the signboard and under. The 2-persons seat couch on the foreground was lit and illuminated by the street light on left behind camera, while the other couch on the background was lit by the street lights as shown.

Really love the lights and shadows displayed here, with vertical lines, shapes, textures which caught my attention in the first place. I managed to get the "correct" exposure timing. In post-production, I tried to retain the original output results in Camera RAW and Photoshop but couldn't get the desired result I wanted. So I resorted to apply HDR effect by tone-mapping and some color correction adjustments.

Next, I converted the color to black and white just to see how this scene looks like and it looks great. Somehow it rekindles my love for night photography on film and digital night street photography.

Each medium would produce different results. Night photography on film is more towards fine art style and project basis. Night street photography is similar to day time street photography where daily night activities/events are captured candidly. Some film examples of night street photography I did back in October 2006 which I posted here. Some other night street photos using Nikon D70s below.

Simple Contentment

Dozed off

Indian Store

I'm planning to do more night street photography, both on film and digital, perhaps every fortnightly, and lesser light-paintings as I've mentioned before that there are lesser or no ideal abandoned places in Singapore left to make good light-painting photos. Well, I've always keep a lookout and keep searching. Alternatively I'd have to venture out to overseas where there are many interesting subjects, though not necessarily doing light-paintings.

Urban Lighthouse

Urban Lighthouse

This urban lighthouse, also known as Fort Canning Light or Fort Canning Lighthouse, was built in 1903 on the southern side of Fort Canning Hill. It was formerly one of the 13 important lighthouses in the Straits of Malacca, which was to guide ships safely towards the Singapore Harbor.

Due to its historic significance, a replica of the Lighthouse was later erected near its original site by the Singapore Government. Though its lights are fully functional, it no longer serves its original purpose but stands today as a legacy of its contribution to Singapore maritime history.

FENIX TA21 was used in the making of this night photograph, light-painted on the left side of the Lighthouse which took 15 seconds exposure.

Below is another night exposure under 15 seconds with a medium size aperture to capture the clouds motion across the beautiful night sky. Same flash light was used on the top of the Lighthouse. Actual crop and composed on camera.

Fort Canning Light

It was a disappointment that those strong daylight white spotlights were not switched off after midnight. It would be good to do my own light-painting. Well I don't think I'd go back to remake for a long time.

The Return of Singapore National Theater - Part 2 (Nocturnes)

National Theater Sculpture

This is a follow-up to the Part 1 blog posted on 27 February. I went back to take a few day shots because I couldn't see much in the low light condition during my first visit there, using my phone camera. With the naked eyes, it's still visually clear under that low light condition but I just wanted to make sure I can find the best angles and perspective to make night photos of this iconic structure.

Continue after the jump...

Dragon of Whampoa

Dragon Fountain

This is the Dragon of Whampoa. It used to be a water fountain with water spouted out of its mouth. I called it Water Dragon. Take that leap to read more about this fascinating landmark.

Night After Sidewalk

Night After Sidewalk (HDR)

This is one of the many night photographs I made last night at Fort Canning Park. This part of the Park is very dark with one lamp illuminates a small area with its light. I found the atmosphere moody and as dramatic as its ambience contrast.

So I thought I would process it into a HDR effect using Nik Software's HDR Efex Pro. This is a single image made with my Nikon D300 and exposed for 178 seconds. This is my second attempt on HDR for night photography and I'm quite happy with the result, which has this painting effect and the whole dark ambience is brightened up with strong hue and saturation of the surrounding greenery. A little back track, my first attempt on night HDR was back in 2012, of an old school dove playground. If you want to read more, click on the hyperlink for the past blog article I wrote.

Anyway here's the original processed in Adobe Camera RAW.

Night After Sidewalk (original)

Well, most of you know I love monochrome photography and I believe there's no harm in converting this great image to monochrome and so I did.

Night After Sidewalk (mono)

Somehow monochrome still retains that aesthetic and as close to the actual scene as I saw it. By flushing out all the colors, makes it so timeless and minimal.

A Walk In The Park

Waxing Gibbous Over FCP

A night time ago I visited Fort Canning Park. I climbed up the long stairway located right besides MITA Building which leads me to the Light House. It was a cooling windy night. Occasionally some passing clouds. I was trying to find the best vantage spots to frame and compose the light house with my phone camera. Here are 2 shots.

Light House @ Fort Canning Park

The main purpose of this visit was in fact, a re-visit and location recce for my night photography. I've visited the light house a few years ago and somehow spent some time making some night photos. I can't remember what format and camera I used back then, but I do know it didn't work out well. So this year I'm going to make an effort to make some good night photos.

I do have a little concern though in regards to the day-light white spotlights shining on the light house. Would it be switched off after mid-night? I wonder. Once those lights are out, I'll be able to do my own light-painting. Of course before lights off, I can make some shots with my Variable ND filter on, so as to stop down some excessive light (probably about 4 or 5 stops) and to add my own colored light, especially on the top part. Test trial is necessary but being conscious not to waste too much battery power on the large power searchlight. I'll see how it goes tonight.

All images shown here are taken with my Samsung S3 on Low Light mode in Incandescent WB with post-processing in Snapseed app. All copyrights reserved.

Feature Photographer: C.S. Lee

Bridge Underneath

When was the last time this blog site featured a night photographer's work? In fact three photographers' work were showcased 7 and a half years ago in August 2006, and the last one was in April 2010.

Once I mentioned that there are lesser ideal/interesting places and objects to do light-paintings in Singapore, and even more scarce to find like-minded night photographers. Six months ago in a blog posted on Sept 2013, I mentioned about a night photographer from Penang Malaysia and his name is Lee Chin Sheng. Tonight we're featuring his work right here on this blog site.

Stay on to read and understand more about Lee's work after the jump.