Dragon fountain in Whampoa captured with my Apple iP6+ in Slow Shutter app and post processed in Snapseed.
Night & Nocturne Photography • Black & White and Color Photographs • Photography Books and Websites • Information and Resources • Featured Night Photographers • Lighting Gears • NOT QUITE NIGHT • Dwell In The Night
Wednesday, June 15, 2016
Tuesday, June 14, 2016
Solitude
Night phonography of a lady sitting quietly by the bench outside the National Library. Made possible with my Apple iPhone 6+ on default mode and post processed in Snapseed.
Saturday, June 11, 2016
Ubin Land Rover
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| Ubin Land Rover |
This abandoned vehicle was found parked outside a large empty wooden house, in central part of Pulau Ubin. Dirty stained windscreen, rusty body with peel-off paint, broke down engine and punctured tyres, it stationed in this open space with surrounding trees. The whole desolated place was illuminated beautifully by the moon light.
After a few trials on different color effects, this is the final result that I'm most happy with. I tried to keep things as simple and aesthetic as possible, keeping in mind on the color complementation. I've also managed to attained the same effect result for the second close-up photograph shown below.
Let me show you the rest of the color effects and you will know why I chose the red one. Well that's my personal taste. Which one do you personally like? Leave down your choice in the comment below. I would love to know. Thank you.
All nocturnes are long exposures under full moon and some light paintings on the surrounding trees and vehicle exterior with neutral white light. Colored light paintings on the vehicle headlights and interior with Cyan, Yellow, Red color gel respectively. All light paintings are manual work and definitely not created digitally in Photoshop. Photographs are made in RAW format and post-processed in Photoshop.
Thursday, June 09, 2016
Not Quite Night series – Take Right to Kelantan Road
Night phonography with Slow Shutter app in 16x9 aspect ratio on my Apple iPhone 6+. Post processed in Snapseed.
Saturday, June 04, 2016
A Night in Pulau Ubin
On the eve of Vesak Day 20th May 2016 Friday night, I made my way to a small island off the northeast coast of Singapore, where the annual Tua Pek Kong Festival was to be held in Pulau Ubin from 20th - 25th May. Each year thousands from the mainland travel to the island for this festival.
Saturday, May 28, 2016
Anchored Sailboat
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| Anchored Sailboat |
Two weeks ago I visited Changi Boardwalk and made a couple of night photographs and the above photograph is one of the them. I've always wanted to make night photographs of sailboats and fishing boats. Not the floating anchored types but I prefer those stationed along the seashore during low tide, be it in good conditions or in dilapidated states. They seem to draw my attention and I find them to be interesting subjects to make photographs of.
Saturday, May 21, 2016
Satan Left His Icebox By The Beach
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| Satan Left His Icebox By The Beach |
Last weekend I went to Changi Boardwalk to make some night photographs when I came across this deserted refrigerator lying by the beach right outside Changi Beach Club.
Well it's scarce to come by such interesting subject at such a location. So without any hesitation I went down during the low tidal period and walked around the icebox just to find the best vantage spot for good composition. In the end this is the perspective adapted with the sidewalk and shoreline forming 2 straight lines leading to the distant street lights. The icebox was positioned on the foreground with casted shadows of the sidewalk railings which gave more lines and forms.
I made 4 exposures of 1-stop difference and merged them for HDR during post production. I made one additional exposure of filling the fridge internals with red color light. Next I stacked the 2 photos to achieve the above result.
It was a fun and straight forward photography and I wanted to make more from other vantage spots, but in vain. Either the background has too many other lights from the boardwalk, which are way too distracting and messy, or the background is too mundane and uninteresting to justify for the foreground subject.
Well it's scarce to come by such interesting subject at such a location. So without any hesitation I went down during the low tidal period and walked around the icebox just to find the best vantage spot for good composition. In the end this is the perspective adapted with the sidewalk and shoreline forming 2 straight lines leading to the distant street lights. The icebox was positioned on the foreground with casted shadows of the sidewalk railings which gave more lines and forms.
I made 4 exposures of 1-stop difference and merged them for HDR during post production. I made one additional exposure of filling the fridge internals with red color light. Next I stacked the 2 photos to achieve the above result.
It was a fun and straight forward photography and I wanted to make more from other vantage spots, but in vain. Either the background has too many other lights from the boardwalk, which are way too distracting and messy, or the background is too mundane and uninteresting to justify for the foreground subject.
Saturday, May 14, 2016
The Empty Page
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| The Empty Page |
It's been a long time since I last visited Changi Village and took a stroll along the Changi Boardwalk. I just did last night and rediscovered some little changes. NParks has had removed the rooftop covers of the resting sheds along the boardwalk, right outside the seafood restaurant by the beach.
I believe NParks wanted to prohibit members of public not to camp or stay there for a prolong time period. Most of the folks are there for their fishing hobby. If it rains they have to find their ways for covers.
I walked all the way to the end of the boardwalk for this pair of empty seats. I didn't make any night photos in the past so I thought I want to do it now. With that said, the above photo is the result of stacking 2 photos - one exposed for the foreground seats and the other for the cloudy night sky.
I exposed the first photo for 120 seconds at ISO 200 just enough to open up the shadow details and retaining highlight details. Next, I exposed for the night sky for another 120 seconds with higher ISO of 400.
Here's a little snippet - A 9-stops Variable ND filter was fit on my Tokina 11-16mm lens, stop down to 5 stops hence I was able to get good exposures.
The main reason why I made all my night photos in RAW just so I have even more controls during post-production. To make the stacked result more pleasing, I used Auto WB for the foreground seats for warmer color and Incandescent WB for the night sky, just to get that bluesy cool color. Based on art drawing/painting theories or color theories, place subjects with warmer color against cooler color background would make them more outstanding and POP!
No light painting needed. Take a closer look and study the shadows, you would know where the light sources came from i.e. one on camera left and one behind camera right. After much retouching on the wooden floor (some wet surface and minor stains) just to digitally clean up and make it more presentation. All except the large portion of stains on the far left. I kept it untouched just to keep things back to a natural state and not to over-do. In the end, I am very satisfied with the final result.
Saturday, April 30, 2016
Lines & Stripes
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