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Sunday, June 26, 2016
Saturday, June 18, 2016
Pekan Quarry
Pekan Quarry, Pulau Ubin |
It was my third attempt on star trails and this time I made my way to one of the quarries in Pulau Ubin – Pekan Quarry. The whole place was illuminated by a waxing gibbous (96% full) moon hanging high up in the night sky. The night atmosphere was so mesmerising that I stood still for a few moments, to view and feel the atmosphere before I set up my tripod and camera.
I've always wanted to make star trails on this small island and so finally I got it made, of this 'DANGER' signboard by the wooden railings. Thirty long exposures of one minute were made and stacked in Photoshop using Dr. Brown's Stack-a-matic. A little fill-in light was added on the signboard, wooden railings and the surrounding foliages.
I'm pretty satisfied with the result and on my next attempt. I would try to make a longer star trails, say 60 exposures of 1 minute. Until then, I hope you enjoy viewing my work. More Ubin night photographs in the next blog same time at 10:10PM.
Thursday, June 16, 2016
Note Quite Night series – What We Cannot Speak Of Must Be Passed Over In Silence
The setting sun is down and warm glowing light beautifully lit up in one of the old church rooms. A great twilight to capture this with my Apple iPhone 6 Plus on default mode and post-processed in Snapseed.
Wednesday, June 15, 2016
The Only Moment We Were Alone
Stacks of bricks and concrete walls of buildings, hoarding boards and cargo containers, all came together under a warm summer night. Captured with my Apple iPhone 6 Plus in Slow Shutter app, vertical 9x16 aspect ratio, and post-processed in Snapseed.
Whampoa Dragon
Dragon fountain in Whampoa captured with my Apple iP6+ in Slow Shutter app and post processed in Snapseed.
Tuesday, June 14, 2016
Solitude
Night phonography of a lady sitting quietly by the bench outside the National Library. Made possible with my Apple iPhone 6+ on default mode and post processed in Snapseed.
Saturday, June 11, 2016
Ubin Land Rover
Ubin Land Rover |
This abandoned vehicle was found parked outside a large empty wooden house, in central part of Pulau Ubin. Dirty stained windscreen, rusty body with peel-off paint, broke down engine and punctured tyres, it stationed in this open space with surrounding trees. The whole desolated place was illuminated beautifully by the moon light.
After a few trials on different color effects, this is the final result that I'm most happy with. I tried to keep things as simple and aesthetic as possible, keeping in mind on the color complementation. I've also managed to attained the same effect result for the second close-up photograph shown below.
Let me show you the rest of the color effects and you will know why I chose the red one. Well that's my personal taste. Which one do you personally like? Leave down your choice in the comment below. I would love to know. Thank you.
All nocturnes are long exposures under full moon and some light paintings on the surrounding trees and vehicle exterior with neutral white light. Colored light paintings on the vehicle headlights and interior with Cyan, Yellow, Red color gel respectively. All light paintings are manual work and definitely not created digitally in Photoshop. Photographs are made in RAW format and post-processed in Photoshop.
Thursday, June 09, 2016
Not Quite Night series – Take Right to Kelantan Road
Night phonography with Slow Shutter app in 16x9 aspect ratio on my Apple iPhone 6+. Post processed in Snapseed.
Saturday, June 04, 2016
A Night in Pulau Ubin
On the eve of Vesak Day 20th May 2016 Friday night, I made my way to a small island off the northeast coast of Singapore, where the annual Tua Pek Kong Festival was to be held in Pulau Ubin from 20th - 25th May. Each year thousands from the mainland travel to the island for this festival.
Saturday, May 28, 2016
Anchored Sailboat
Anchored Sailboat |
Two weeks ago I visited Changi Boardwalk and made a couple of night photographs and the above photograph is one of the them. I've always wanted to make night photographs of sailboats and fishing boats. Not the floating anchored types but I prefer those stationed along the seashore during low tide, be it in good conditions or in dilapidated states. They seem to draw my attention and I find them to be interesting subjects to make photographs of.
Saturday, May 21, 2016
Satan Left His Icebox By The Beach
Satan Left His Icebox By The Beach |
Last weekend I went to Changi Boardwalk to make some night photographs when I came across this deserted refrigerator lying by the beach right outside Changi Beach Club.
Well it's scarce to come by such interesting subject at such a location. So without any hesitation I went down during the low tidal period and walked around the icebox just to find the best vantage spot for good composition. In the end this is the perspective adapted with the sidewalk and shoreline forming 2 straight lines leading to the distant street lights. The icebox was positioned on the foreground with casted shadows of the sidewalk railings which gave more lines and forms.
I made 4 exposures of 1-stop difference and merged them for HDR during post production. I made one additional exposure of filling the fridge internals with red color light. Next I stacked the 2 photos to achieve the above result.
It was a fun and straight forward photography and I wanted to make more from other vantage spots, but in vain. Either the background has too many other lights from the boardwalk, which are way too distracting and messy, or the background is too mundane and uninteresting to justify for the foreground subject.
Well it's scarce to come by such interesting subject at such a location. So without any hesitation I went down during the low tidal period and walked around the icebox just to find the best vantage spot for good composition. In the end this is the perspective adapted with the sidewalk and shoreline forming 2 straight lines leading to the distant street lights. The icebox was positioned on the foreground with casted shadows of the sidewalk railings which gave more lines and forms.
I made 4 exposures of 1-stop difference and merged them for HDR during post production. I made one additional exposure of filling the fridge internals with red color light. Next I stacked the 2 photos to achieve the above result.
It was a fun and straight forward photography and I wanted to make more from other vantage spots, but in vain. Either the background has too many other lights from the boardwalk, which are way too distracting and messy, or the background is too mundane and uninteresting to justify for the foreground subject.
Saturday, May 14, 2016
The Empty Page
The Empty Page |
It's been a long time since I last visited Changi Village and took a stroll along the Changi Boardwalk. I just did last night and rediscovered some little changes. NParks has had removed the rooftop covers of the resting sheds along the boardwalk, right outside the seafood restaurant by the beach.
I believe NParks wanted to prohibit members of public not to camp or stay there for a prolong time period. Most of the folks are there for their fishing hobby. If it rains they have to find their ways for covers.
I walked all the way to the end of the boardwalk for this pair of empty seats. I didn't make any night photos in the past so I thought I want to do it now. With that said, the above photo is the result of stacking 2 photos - one exposed for the foreground seats and the other for the cloudy night sky.
I exposed the first photo for 120 seconds at ISO 200 just enough to open up the shadow details and retaining highlight details. Next, I exposed for the night sky for another 120 seconds with higher ISO of 400.
Here's a little snippet - A 9-stops Variable ND filter was fit on my Tokina 11-16mm lens, stop down to 5 stops hence I was able to get good exposures.
The main reason why I made all my night photos in RAW just so I have even more controls during post-production. To make the stacked result more pleasing, I used Auto WB for the foreground seats for warmer color and Incandescent WB for the night sky, just to get that bluesy cool color. Based on art drawing/painting theories or color theories, place subjects with warmer color against cooler color background would make them more outstanding and POP!
No light painting needed. Take a closer look and study the shadows, you would know where the light sources came from i.e. one on camera left and one behind camera right. After much retouching on the wooden floor (some wet surface and minor stains) just to digitally clean up and make it more presentation. All except the large portion of stains on the far left. I kept it untouched just to keep things back to a natural state and not to over-do. In the end, I am very satisfied with the final result.
Saturday, April 30, 2016
Lines & Stripes
Saturday, April 16, 2016
This Use To Be My Playground serial – Dragon playground (2016)
Tonight I want to take you to another old school playground in Singapore – The Dragon playground. Located in Toa Payoh Lorong 6 right opposite SAFRA Club, it's one of the most popular and iconic of two large Dragon playgrounds. Make the jump to view the photos.
Saturday, April 09, 2016
A Walk In The Garden
A Walk In The Garden © 2011 Martin Liew Photography |
The wavy form of the boardwalk in a garden that grabs your attention and leads your vision to the isolated light in the distant and beyond. In creating a strong composition to the minimal with stark contrast of one single light and heavy shadows, I want to create a strong sense of mystery and romance to the viewers. The night beauty in the garden.
One of the night photographs from my Dwell In The Night project which I'm still working on it. Announcement will be made here once all are ready for viewing on my website. Consider this as a teaser.
One of the night photographs from my Dwell In The Night project which I'm still working on it. Announcement will be made here once all are ready for viewing on my website. Consider this as a teaser.
Photo info:
Shanghai TLR (aka Seagull) on Ilford HP5 Plus. Developed in 1:1 Kodak D76 for 10mins 24 seconds. Negatives scanned on EPSON V700 and further post in Photoshop.
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