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Wednesday, October 13, 2021

DITN series – Ticket Gantry

Ticket Gantry
© 2007 Martin Liew Photography

One of the many ticket gantries at the former Singapore National Stadium. We can tell that this gantry is numbered 20, half-hidden by the header board. Love the ambiance lighting and so decided to take this shot with my Shanghai TLR on Kodak TMAX 400.

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Saturday, October 09, 2021

DITN series – Ticking Clock

Ticking Clock
© 2007 Martin Liew Photography

Tick tock tick tock... The clock was still ticking when I made this photograph at the former Singapore National Stadium in April 2007. 2225 hrs. The clock time was the exact time I pressed the shutter release on my Shanghai TLR with a roll of Kodak TMAX 400. A 6-minute exposure on Bulb mode at f/22. A manual strobe was fired from the camera right behind the pillar, out of sight and aiming at the clock. The area was really in very low light condition, hence the strobe light was necessary so as to show more details.


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Wednesday, October 06, 2021

DITN series – Grandstand

Grandstand
© 2007 Martin Liew Photography

The Grandstand at the former Singapore National Stadium; the gateway to the seating area. What really attracted me to make this photograph was the ambiance of lighting in the background, hidden by the header board. The light hit the metallic gate and cast shadows on the foreground, along with the symmetrical arrangement of squarish light flooring. All elements fell into place and this photograph was made possible with my Shanghai TLR on a roll of Kodak TMAX 400. Only one frame was exposed for 10 minutes on Bulb mode at f/22. The negatives were developed and scanned for post-process in Adobe Photoshop.

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Sunday, October 03, 2021

DITN series – Stadium Light Tower

One of the four floodlight towers at the former
Singapore National Stadium.

© 2007 Martin liew Photography

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Friday, September 24, 2021

DITN series – Gate 2

Gate 2 @ former Singapore National Stadium
© 2007 Martin Liew Photography

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Wednesday, September 22, 2021

DITN series – Stadium Ticket Booth

Stadium Ticket Booth
© 2007 Martin Liew Photography

Good evening nightographers! Tonight I want to show you this night photograph I made back in early April 2007. I bet most of you do not know this place despite the photo title's giveaway. Tonight's air lingered with nostalgia. Make the jump now for more photos.

Thursday, September 09, 2021

DWELL IN THE NIGHT Official Release


Good evening nightographers! Hope everyone has a great week. Tonight I'm excited to announce the release of my life-long night photography project, Dwell In The Night. It's been a long journey for me since I started this project in late 2004. To date, there are 30 photographs and more to come. All photographs are made with an old Shanghai TLR camera on 120 medium format black and white film.

Click on the project title highlighted above to view the photographs on my website. I hope you enjoy viewing my works as much as I enjoy making them. Do subscribe to my blog if you haven't already done so, and follow me on my Instagram and NQN Instagram.

Thank you for reading.

Monday, August 16, 2021

Not Quite Night series #92


Good evening nightographers! Hope everyone is safe and healthy in this difficult time. It's more than six months since my last blog post. My sincere apologies for the long hiatus. I was caught up with work commitment and I picked up a sport that I am spending more time in training and playing. Yes, I picked up Table Tennis again after so many years since I last played in my teens. So yeah I confess I have neglected my night photography but I'm more fitter, stronger, and healthier than ever before. And I am proud that I am fully vaccinated.

Well, tonight I'm back with a new Not Quite Night photo of an iconic art center in Singapore, and also to share a piece of updated news with you. So let's jump right into it.

Friday, November 13, 2020

Night Street Panorama – A City Beneath A Veil of Calm


I got this panorama photo filed in my archival hard disk and almost forgotten about it until now. It was made in early December 2018 with a swing lens panorama film camera. On that same night, I made another photo of the same night scene with my beloved RICOH GR2, also with the same title, which is featured here.

Photo Info:
HORIZON PERFEKT | 28mm | settings not recorded | Kodak Portra 800 Exposed for +2/3 f/stop | Film developed and scanned at Whampoa Colour Center | Further post-processed in Photoshop

Saturday, November 07, 2020

Night Street Photo – Night After Sidewalk No. 9

NIKON D70s • Tamron 17-35mm @ f/3.0 1/40 sec. ISO 1600
RAW file post-processed in Photoshop

Friday, November 06, 2020

Night Street Photo – Night After Sidewalk No. 8

Single version – Apple iPhone 6 Plus on Camera+
JPEG post-processed in Photoshop

Double version – NIKON D70s • Tamron 17-35mm
RAW file post-processed in Photoshop

Good evening nightographers! It's Friday night and here are two new night street photos I'm going to share with you. This is a sequel to the last blog post of the same location same night scene but different human subjects and titles. In the last post, silhouettes were captured, for that mysterious and moody effect.

Tonight's street photos featured human subjects walked by in the foreground of the alleyway. I made two versions - one with a Smartphone and the other with a DSLR camera respectively. The light level in this alleyway is pretty low and contrasty and posed a great challenge to capture moving subjects, especially with my 17 years old NIKON D70s. The highest ISO of this old camera is 1600 and I always shoot in Manual mode as I want to have controls on the exposures. Well, it's obvious I have really limited ISO along with a slow Tamron 17-35mm lens, I have to hold my breath and camera really well and steady, at a slow shutter speed between 1/15 to 1/30 second. Exposure Compensation was applied and set to +1 value.

As for the Smartphone camera, Apple iPhone 6 Plus camera back lens has an aperture of f/2.2. I used the Camera+ app in which I'm able to set the White Balance, ISO, and Shutter Speed. WB was set to Auto, ISO at 160, and shutter speed at 1/4 second. Comparing the two photos, they almost have similar results.

Which version do you prefer? Let me know of your preference on the Comment section below. I'd love to hear from you.

Lastly, do subscribe to my blog for new night photos updates and do follow me on my Instagram and NQN Instagram.

Sunday, November 01, 2020

Night Street Photo – One Way & No Others No. 3

Version 1 – NIKON D70s • Tamron 17-35mm
RAW file post-processed in Photoshop

Version 2 – Apple iPhone 6 Plus on Camera+
JPEG post-processed in Photoshop

Good evening nightographers! Tonight I'm sharing with you 2 new night street photos I made last Friday night. I was out in the street of Little India and came across this alleyway. So I thought it would be a nice spot to do "fishing". I took a few test shots for exposure and composition while waiting for the right subject to walk into the frame. Though it's not a busy alleyway with heavy human traffic however there are people walking by from time to time. I made as many photos as possible and these two photos stood out pretty strong, which I like it very much.

Which version do you prefer? Let me know of your preference in the Comment section below.

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Thursday, October 15, 2020

Not Quite Night series #91


Good evening nightographers! It's another night blog to share my new night street photograph on Not Quite Night series. Tonight I would be taking you to this interesting location where I made NQN #91. So let's jump right into.

Friday, October 09, 2020

Not Quite Night series #90


Good evening nightographers! I hope everyone is safe and sound at home, reading my blog at this point in time. Tonight I'm putting up the latest night street photograph for the Not Quite Night series

It's been a long agonizing nine months since the last NQN photo was posted on the first day of the year 2020. I can't wait to show you my new NQN work. So let's jump right into.

Tuesday, September 29, 2020

Last Glimpse of Sentosa's Merlion

Good evening night dwellers!

5 years ago I made this star trail photo of our Sentosa resort island's Merlion, and posted on this blog site. Why do i share it again? News was out today that works are under way to demolish the tallest Merlion in Singapore. So I thought it would be interesting to share it again.

It was announced in September last year that this 37 meters tall statue is making way for a themed thoroughfare that will link Sentosa's north and south shores. This is a part of the long-term plan to reshape the resort island and the adjacent Pulau Brani into a premier leisure and tourism destination.

The last day of operations for the Sentosa Merlion was 20 October 2019.  It was designed by Australian sculptor James Martin and built in 1995. So for the last glimpse of this Merlion current status, check out The Straits Times photo.

That's all for tonight's blog post. Have a great weekend.

Doorway


Photo info:
iPhone 6+ on Camera mode. Post-processed and black & white conversion in Snapseed. Further enhancement in Adobe Photoshop.

Saturday, August 29, 2020

Street Photography in Punggol


Two days ago, I woke up really early just to reach Punggol before the first light. I made it on time and took the first shot (shown above) with my iPhone 6 Plus using Camera+ app. Really love the atmosphere. I continued to stroll along the park connector pavement like I'm having my morning walk or exercise, enjoying the morning fresh air and the surrounding environment.

Then I came to this spot and looked at it for a few moments before I lifted up my phone camera to make another shot. Upon previewing the photo, it looks like a black and white photo, hence I converted it in Snapseed, and this is how it looks like.


I like that 'S' shaped pavement on the right side where our subject just seen running into the scene as I pressed the digital shutter button. I like the tile textures on the sitting structure in the foreground, too and the casted shadows of the railing against the ground, in contrast with the overhead horizontal panels. A wall mural in the far background, somehow makes this photo more interesting.


This is the wall mural. Drawings of robots in different shapes and designs with dialogues, seem quite comedic. As the morning light spread across the Punggol sky, slipping through the overhead panels, leaving the strong street lamp to the far left of the frame, I made the shot.

I wish I could venture and explore more other parts of the area or other location in Punggol for more beautiful first light or twilight photos. But the sun was already rising up, and I think it gave me good reason for more future visits.

Friday, June 26, 2020

I Could See Lights At The Edge of All Things

I Could See Lights At The Edge of All Things
© 2010 Martin Liew Photography

Good evening nightographers! Hope all of you are safe and healthy. Tonight I'm showing another old photograph from my photo archive. This photograph was made ten years ago on 9th July 2010, Friday.

A few months earlier, the news was reported about the closure of Tanjong Pagar Railway Station aka Keppel Road Railway Station. The station was the southern terminus of the network operated by Keretapi Tanah Melayu (KTM), the main railway operator in Malaysia. It was completed on 3rd May 1932 and officially opened by Sir Cecil Clementi. It was around for 79 years before it ceased operations on 1st July 2011 with the relocation of the KTM station to Woodlands Train Checkpoint.

The land on which the station and the KTM railway tracks stood was originally owned by KTM and over which Malaysia had partial sovereignty. This arrangement lasted until 30th June 2011 where the land was reverted to Singapore and to be reserved as the Singapore Railway Museum.

On that night, I visited the railway station and walked all the way to the end of the station platform and beyond, right up to this signal box where it was situated about 400 meters away. As it had since ceased operations and no one was around, I took the stairs up to the second-level balcony area, and I was in awe to see this night scenery before my eyes. Quickly I set up my tripod and mounted my camera prepared to make some exposures. However, there were motorcyclists who rode by from time to time, further into and out of a small village-like community area just around the corner, where I found out later there was a Malay food restaurant. Well, I guess people came by to enjoy the food and gathered with co-workers and friends before all are gone for good.

Initially, I wanted to capture the night scenery without any vehicle light trails, and I did try but they just kept on passing by. So I thought "What the heck!" just went along with it. A strong sodium-vapor spot light hit diagonally across this wooden house with a huge 2-seater sofa in the front and a coconut tree set in the background. The weather was great with fleeting clouds overhead. At that moment I felt everything fell into place and went on to make two exposures, and this is how the night photograph came about.

Friday, June 19, 2020

A Walk In The Garden No. 4

A Walk In The Garden No. 4
© 2010 Martin Liew Photography

Good evening! Tonight I'm featuring this last night photograph of Toa Payoh Garden. It's probably one of the most favourable spots to make photographs of this stone bridge. I did one similar photograph last year on 29th December for my Not Quite Night project. Same subject different camera position.

Tonight I would not say much about this photograph. I let the photograph speaks for itself. Do subscribe or follow my blog by email for new updates.


Photo Info:
Shanghai TLR | f/16 Bulb mode - 3 mins 30 secs | Ilford HP5 Plus | Film developed in Kodak D76 1:1 dilution 10 mins 24 secs | Scanned on EPSON V700 | Post-processed in Photoshop

Friday, June 12, 2020

A Walk In The Garden No. 3

A Walk In The Garden No. 3
© 2010 Martin Liew Photography

Good evening and welcome to another showcase of night photograph made in Toa Payoh Garden. This is another vantage spot I found pretty interesting. The juxtaposition between the stone bridge, bent tree trunk and the curvature of concrete railing that bent in the opposite direction from the former two subjects.

It has this visual contrast of three different subjects of different textures that create bending lines on the somewhat orderly symmetrical lines of the wooden boardwalk. Negative space was applied on the foreground to balance the 3 heavily subjects on the upper half of the composition.

The stone bridge and bent tree trunk lead viewer's eyes in clockwise direction, from the upper left frame to the bending concrete railing on the right, all the way down to the bottom, and back again to the former two subjects.

I wouldn't say this is one good abstract photograph or visual pleasing photograph that I consider as fine art, but in terms of composition, light and shadows and textures, I'm totally satisfied and happy with it.


Photo Info:
Shanghai TLR | f/16 Bulb mode - 3 mins 30 secs | Ilford HP5 Plus | Film developed in Kodak D76 1:1 dilution 10 mins 24 secs | Scanned on EPSON V700 | Post-processed in Photoshop

Saturday, June 06, 2020

A Walk In The Garden No. 2

A Walk In The Garden No. 2
© 2010 Martin Liew Photography

Tonight I want to show you this night garden photograph I made a decade ago. Some of you might recognise right away where this bridge is located. Yes it's located at Toa Payoh Garden. 

From time to time I found myself coming back to this place either for relaxation, or to make some interesting photographs. It's not too far from my place actually. Takes about 15–20 minutes walk. What i like about this garden is its one-of-a-kind hexagonal bridge, three stone bridges and a watching tower. Unfortunately the watch tower is permanently locked and entry is prohibited.

On one calm November night in 2010, I arrived at the garden and wanted to make night photographs of the stone bridges. I picked this bridge because it situated right next to a tree with two trunks, forming a letter 'V'. I don't know what kind of tree it is but it's definitely an old tree, most probably older than me.

At that time, I faced challenges in finding the right vantage spot for the right composition. It took me some time though and finally I decided on this, as shown above. The film I used was Ilford HP5 Plus. All along I've been using Kodak TMAX 400 for most if not all of my black and white night photography. But at that time I was thinking why shouldn't I try on a new film and hence I picked up a roll.

Compared to TMAX 400, I like the stark contrast this film creates and I yielded satisfying results on that night. On that same roll I made another photograph at another part of the garden. Check out that night photograph, A Walk In The Garden No. 1

Alright! I hope you like my work I showed you tonight. Hope my work inspires you to pick up night photography. Do subscribe for new updates. Thank you for your time and support.

Good night!


Photo Info:
Shanghai TLR | f/16 Bulb mode - 3 mins 30 secs | Ilford HP5 Plus | Film developed in Kodak D76 1:1 dilution 10 mins 24 secs | Scanned on EPSON V700 | Post-processed in Photoshop

Saturday, May 30, 2020

Volkswagen Beetle

Volkswagen Beetle
© 2010 Martin Liew Photography

Good evening nightographers! Here's one last night photograph on Tiong Bahru where I came across this nice Volkswagen Beetle car parked along the roadside. Somehow it adds up the nostalgic value to the residential building in the background, I hope.

Photo Info:
Shanghai TLR | f/16 Bulb mode - 3 mins 30 secs | Rollei Retro 400 | Film developed in Kodak D76 1:1 dilution 9 mins 20 secs | Scanned on EPSON V700 | Post-processed in Photoshop

Monday, May 25, 2020

Red Mini-Rover

Red Mini-Rover
© 2010 Martin Liew Photography

This is another part of Tiong Bahru estate area where i came across this red Mini-Rover, parked next to a road signboard. Ambient lighting was tricky and challenging, so I tried to expose for the shadows and later on to develop for the highlights. Four minutes of exposure on Rollei Retro 400 and developed in Kodak D76 1:1 dilution for 9 minutes 20 seconds yielded quite a satisfying result. I scanned the negative on EPSON V700 and post-processed the image in Photoshop for better contrast.

Saturday, May 23, 2020

Tiong Bahru Estate

Tiong Bahru Estate
© 2010 Martin Liew Photography

Good evening nightographers! I believe most of our local readers know where this place is. Just so happened I came across this part of the estate building with the curved pine trees and thought it would be worth exposing for a frame.

Photo Info:
Shanghai TLR | f/16 Bulb mode - 3 mins 30 secs | Rollei Retro 400 | Film developed in Kodak D76 1:1 dilution 9 mins 20 secs | Scanned on EPSON V700 | Post-processed in Photoshop


Wednesday, May 20, 2020

Kitty Cat Sat On The Wall

Kitty Cat Sat On The Wall
© 2010 Martin Liew Photography

Good evening! Here's another night photograph of Tiong Bahru alleyway, not far away from the last photograph posted here. As the photo title says it all. Did you spot the cat? It's a long exposure of 3 minutes 30 seconds and despite the cat sat quietly and motionlessly on the wall, it turned its head a few times. Hence its head appears out of focus, but still distinguishable at a closer look.

Casted shadows of nearby trees and building structures made this photograph more dramatic, if not interesting. The light that hit across the white wall forming nice gradient shades of grey. These are some of the attributes I always look out for in night streets photography.

Monday, May 18, 2020

Then The Quiet Alley

Then The Quiet Alley
© 2010 Martin Liew Photography

In mid 2010 I visited Tiong Bahru on one weekend with my Shanghai TLR camera loaded with a roll of Rollei Retro 400 black and white film. I was trying to look for some nice ambience and subjects for night photography. Tiong Bahru today has flourished into a historically significant estate, combining its rich heritage and push for modernisation into a truly unique aesthetic.

I came across this quiet alley way and really like the ambience and atmosphere. Hence I set up my tripod and camera, and made the first exposure of the Rollei film for 3 minutes 30 seconds. Film was later developed in Kodak D76 1:1 dilution for 9 minutes 20 seconds. Dried negatives were scanned on EPSON V700 and post-processed in Photoshop for better contrast.

Will share more Tiong Bahru night photos in the coming blog posts. Do subscribe for new updates.

Wednesday, May 13, 2020

A Chair & A Ladder

A Chair & A Ladder
© 2009 Martin Liew Photography

Good evening! In my last blog I mentioned about posting a couple of night photographs with which I made on the same night on 23rd May 2009, Saturday. So here's one and let me share with you on the making of this night photograph.

Seletar Camp was formerly the site of the largest British Royal Air Force (RAF) base in the Far East. Plans to redevelop the Seletar area for Singapore’s aerospace needs were announced in 2006. Work on the project began in 2007 and is expected to complete by 2018. Helmed by JTC, the proposed Seletar Aerospace Park project was carried out on some 140 hectare of land. When completed, the park will serve as a key centre for aerospace activities such as the maintenance, repair and overhaul of aircraft engines.

Some of the proposed changes to the area include lengthening the existing runway at Seletar Airport and building a new airport control tower. To make way for these changes, some parts of Seletar Camp were demolished or shut down, including the Seletar Base Golf Course, one of the few golf courses open to the public. The members-only Seletar Country Club, on the other hand, remains open. One hundred and seventy-four out of the 378 colonial black-and-white bungalows were demolished to make way for redevelopment.

While the economic downturn in 2009 had affected the Seletar Aerospace Park project, measures taken by the JTC, such as extending expired leases to companies occupying the site, helped to put the project back on track when the economy recovered. It was during this time period, I visited the place. Some buildings were abandoned and left empty which could be preparation for the redevelopment. The doors to the abandoned buildings were left opened and I went in to explore.

It was so pitch dark that I couldn't see my own fingers. I brought along a powerful LED flash light with which I was able to find my way around. I took the stairs to the second floor and there I saw this damaged chair at the end of the corridor, right outside a bunker. Behind the chair, a wooden ladder leaned against the wall. In that instant, I knew this set-up would be good for photography. No shifting or re-arrangement of the chair and ladder was made. I wanted to make photographs as I saw it.

Quickly I set up my tripod and mounted the camera to get the desired composition. Then I paused and thought of ways to make the first exposure. It was pitch dark and leaving the shutter open on Bulb mode is a must. The crucial part is how to light the subjects. If you take a closer look at the above photograph, you can see obviously where the shadows fall and where the light source came from.

Yes I walked into the bunker with the strobe, stood about one and a half meter away from the door frame. There, I pointed at the chair and fired two flashes. Next I walked up to the door frame, still remained out of sight from the camera, I switched on my LED flash light set at a lower lumen power and started to light paint the wooden ladder for about a minute. The shutter was still opened until I closed it at a stop time of 3 minutes 30 seconds.

So that's it. That was how this night photograph was made. In the following month, I came back to this place on every weekend for more night photography. I brought my digital SLR camera and other useful light painting tools. Many successful photographs were made, including this damaged chair.

I hope you enjoy my night photography work. Good night.

Monday, May 11, 2020

Ghost Tree

Ghost Tree
© 2009 Martin Liew Photography

Here's another night photograph I made on that same night with the white guardhouse in our last blog post. It stood strongly within the Seletar Air Base premise along the roadside, about a hundred meters away from the white guardhouse. Not too sure if this dead tree is still around.

It does look creepy and spooky as it stood against the dark night sky and has an open field in the background. Street lights hardly cast upon the dead tree in whole. The lighting effect you see here in the photograph was created using a portable manual strobe. At aperture f/8.0, I opened the shutter for 36 seconds. Within this short time, I fired the strobe twice to the left side of the tree and once to the right side, in full power. As the flashlight fell off shortly and quickly, the light could only reach the foreground and a little further mid-range of the crooked tree branches. Leaving the ones further behind in silhouettes. Hence it has this pop-up three-dimensional effect. Somehow or rather the lighting made this dead tree looks "alive".

There are quite a few soft spots/bokehs in this photograph. You can see that the bottom left corner thick tree trunk or branch has this motion blur effect. The middle part foreground tree branch is out of focus. The only focused area is the main tree trunk covered with ferns. It's all due to the wide-angle lens I fitted on the taking lens of Shanghai TLR camera. The lens is meant for normal camcorder usage and its thread size fits perfectly right on the TLR taking lens. Focussing with this lens is challenging. This night photograph wouldn't be made possible without this wide-angle lens.

I'll be posting and sharing another two night photographs which I made on that same night with this ghost tree. Do come back. If you have not subscribed to my blog, do so for new updates. Thank you for your time. 

Good night.

Saturday, May 09, 2020

White House

White House
© 2009 Martin Liew Photography

I was out doing light painting at Seletar Air Base in the wee hours on 23rd May 2009, Saturday. I brought 2 cameras with me on that night – Nikon D300 and Shanghai TLR. In case you're curious and want to find out what are the color night photographs I made, here's the blog in which the photographs are featured.

As I made my way out towards the main gate, there was this guardhouse and I stopped to make one exposure with my Shanghai TLR camera on Kodak TMAX 400. The shutter was opened for 36 seconds. The film was later developed in Kodak D76 (full stock) for 6 minutes. Negatives were scanned on EPSON V700 flatbed scanner and post-processed in Photoshop for better contrast.

I will show more other black and white night photographs I made on that same roll of TMAX 400. Do subscribe to my blog for new updates.

Tuesday, May 05, 2020

Holding Your Light

Holding Your Light
© 2008 Martin Liew Photography

There's always something about back alleys that attract me to explore the possibilities or opportunities for good night photography. It was one of those moments when I came across this location where I found the clean whitewashed houses along with this stand-alone street lamp, interesting for a black and white photograph.

I want to keep things simple and this night scene has those minimalistic elements. Exposed this frame with Shanghai TLR camera on Kodak TMAX 400 for 5 minutes. Film developed in Kodak D76 full stock for 6 minutes. Negatives scanned on EPSON V700 and post-processed in Photoshop for brightness and contrast.

Sunday, May 03, 2020

OUE Tower

OUE Tower
© 2007 Martin Liew Photography

This is one of the prominent landmarks located beside Collyer Quay at Marina Bay within the Downtown Core of the Central Area, Singapore. So much has changed in Collyer Quay since this night photograph was made in late April 2007. OUE Tower is within The Fullerton Heritage precinct which consists of The Fullerton Hotel Singapore, The Fullerton Bay Hotel Singapore, The Fullerton Waterboat House, One Fullerton, The Fullerton Pavilion, Clifford Pier, and Customs House. Level 10 of the tower houses the popular Chinese restaurant, Tóng Lè Private Dining (under Tung Lok Group), and at Level 8, the restaurant offers three luxurious-furnished rooms, complete with state-of-the-art karaoke facilities stocked with over 60,000 songs. How's that for a dining and entertainment experience?

This night photograph was made possible with my Shanghai TLR camera on Kodak TMAX 400 black and white film. Negatives are scanned on EPSON V700 and post-processed in Photoshop.

Friday, May 01, 2020

City of Caves

City of Caves
© 2007 Martin Liew Photography

Good evening! Here's an old night photograph from my archive, which I made on 11th March 2007, Sunday. It was twelve minutes past three. I was walking along the walkway outside the National Gallery, formerly the Supreme Court, when I came across this part of the building. I was drawn by the juxtaposition of shapes and lines between the brick wall, stairways, and window panels. The light and shadows were in good place and this is the final composition that was captured with my Shanghai TLR camera on Kodak TMAX 400.

Thursday, April 30, 2020

Twin Cupolas

Twin Cupolas
© 2007 Martin Liew Photography

Most local Singaporeans would recognize these twin cupolas or maybe some, I reckon. In the wee hours on 7th January 2007, Saturday, I visited the Fort Canning Cemetery just to make night photographs of these twin cupolas.

A cupola is a light structure on a dome or roof, serving as a belfry, lantern, or belvedere. The twin cupolas were built before 1958, for the tomb of Mr. George Dromgold Coleman at Fort Canning Cemetery. He served as Colonial Architect in Singapore from 1826 to 1841, the first Government Superintendent of Public Works (1833-1841), and became a consultant to Sir Stamford Raffles on the 1822-1823 Town Plan of Singapore.

Upon reaching this location spot, the surrounding ambiance was pretty low. The main light source came from the building, Fort Canning Arts Center, to the right of the twin cupolas. The brightly lit interiors of the cupolas were fired from a portable manual flashlight, while the shutter was opened for 9 minutes. More than enough time for me to go around the other side of the cupolas, and fire two flashlights on each cupola ceiling. This was to create an evenly bounced light for the interiors.

In fact, I made two exposures with which the first one without flashlight and the second one as shown above. I prefer the second exposure for its three-dimensional effect.