Good evening and welcome to another night photography blog post featuring the fourth Spacetime photo shown above taken with a Nikon D70s on Tamron 17-35mm lens.
Make the jump and let me share with you a little fact about this photo.
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Saturday, November 26, 2022
Friday, November 18, 2022
Spacetime – Night Streets on Slow Shutter III
Good evening and here's a night street photo on a slow shutter speed that was shot with my Nikon D70s on Tamron 17-35mm lens. I was attracted by the water reflection of the bicycle and the surrounding ambient lighting. I was lucky to capture this man walking by the parked bicycle with his right hand holding a can of drink. Somehow his hand was frozen still and in focus sharp while his whole body was in motion blur. Coincidentally, the drink can seem like resting right on top of the bicycle's rear mount rack. Move the slider to reveal the close-up of his hand and the drink can, and you'll know what I have just described.
I was so stoked when I was editing this photo in Photoshop. I believe I pre-focussed on the bicycle mount rack waiting for any subject to enter the scene. A few subjects walked by and I kept shooting and fumbling with the right shutter speed setting. I wasn't shooting in Burst mode but in Single-shot mode instead because my good old Nikon D70s' 3fps is pretty slow in spite of the super low light condition of the scene. I was shooting with the widest aperture of f/3.3 and a 1/4 second shutter speed at ISO 200.
In street photography, shooting either in Burst mode or in Single-shot mode requires the shooter to follow the momentum of the subject's body/gesture motion in order to capture that "decisive moment" as opposed to much anticipation. It's so true, especially in the latter mode. Shooting in Burst mode, the photographer simply selects the best shot amongst the many shots during the post-production, which at times can be a hit or miss. Well, it certainly works for daytime street shooting but for nighttime, depends on the camera technology and capabilities. Most of the latest models have super high ISO as high as 102,400, and burst rates of up to 20-30 frames per second (fps), and of course mounted with a fast lens, he/she can get many "good exposure" shots.
Personally, I have more success rates of shooting in Single-shot mode with my Nikon D70s. Despite its shortcomings, I'm still able to pull off some decent photos. Well, not every time in my street photography. Instinct and intuition play important parts as well.
So there you have it. Thank you for the time to read and view my new work. New photos will be posted next week. Meanwhile, take care, stay safe, and have a great weekend. Cheers!
Saturday, November 12, 2022
The Power of Mother Nature
Last weekend, I visited the Singapore Botanic Gardens in search of more ICM subjects to photograph. By the way, ICM stands for Intentional Camera Movement. It is an abstract style of shooting that has no rules – it all comes down to moving your camera over a long exposure to create an artistic or painting-like effect. I got interested and had my first attempt a couple of months ago. If you're keen to find out, I have written and posted a blog on my experience here.
Back on track, the weather on that Sunday morning was awesome with warm sunlight and there were many visitors, be it strolling in the garden, jogging, doing yoga, or with family and friends gathering for picnics or dining at the restaurants, the Garden is a favorite place for nature lovers to relax. Make the jump to read more.
Friday, November 11, 2022
Spacetime – Night Streets on Slow Shutter II (A Triptych)
Good evening. It's a double eleven 11.11 today. TGIF! Featuring another triptych of Spacetime - night streets on slow shutter. The above animated GIF serves as a trailer. Make the jump to view each photo in high resolution.
Monday, November 07, 2022
Spacetime – Night Streets on Slow Shutter (A Triptych)
Good evening and welcome back to my night photography blog. Yes, I'm back. First and foremost, I hereby sincerely apologize to all my supportive readers for the long hiatus. Yeah, absent for 13 months without a single blog post until now. I have been on hiatus before, sadly. Honestly, I was affected by the COVID-19 pandemic. I mean, I wasn't infected with the deadly virus but instead, it was the mentality part. I hardly go out at night to make photographs. Occasionally, I would go out in the day for some street shootings with a point-and-shoot film camera or a DSLR camera.
Picking up street photography again seems a lot harder but I have re-adapted and progressed and am slowly back on track. Lately, I got hooked up on an interesting shooting technique called ICM a.k.a. Intentional Camera Movement for creative and impressionistic effects. Then I got busy shooting and posting on the other photography blog site that I totally neglected this blog site. In case, any of you have missed out, click here for the ICM blog post.
A couple of weeks ago, three days before the local Indian Festival, Deepavali, I took the opportunity to head down to Little India for some night street shootings. I seldom make night photographs on Shutter Priority mode so it was time to do some crazy shootings.
I admit there is nothing new about shooting night sceneries with a slow shutter speed. Good examples like light trails of vehicles and the panning technique that combines a slow shutter speed with camera motion to create a sense of speed around a moving object. We can definitely make use of this shooting technique for storytelling and emotions.
So, for tonight's blog, I'm showing these three photographs as a triptych for a good start, and more are coming soon. So stay tuned. For new readers, if you like my work do subscribe to my blog sites for new updates. Thank you all for your time and kind support. Good night.
View more of my photography work on my website.
Sunday, October 17, 2021
DITN series – Stadium West Entrance
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| Stadium West Entrance (right side) © 2007 Martin Liew Photography |
This was the West Entrance of the former Singapore National Stadium. It was illuminated by lights from the nearby construction site, with some faded tree shadows cast upon the signage pillar wall. The night atmosphere was fantastic and I was so compelled to take photographs of it. I took 2 bracket frames with 9 minutes for each. For the second one, I used a yellow filter lens but I prefer the first one, as shown above.
Next, I turned the camera towards the left side of the West Entrance, also exposed 2 bracket frames. 9 minutes for the first with yellow filter lens on, and the second frame without (shown below), exposed for 6 minutes. I find the second shot more pleasing in tonalities.
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All photographs were made possible with my Shanghai TLR camera on a roll of Kodak TMAX 400. Both photographs are dated in early April 2007.
Wednesday, October 13, 2021
DITN series – Ticket Gantry
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| Ticket Gantry © 2007 Martin Liew Photography |
One of the many ticket gantries at the former Singapore National Stadium. We can tell that this gantry is numbered 20, half-hidden by the header board. Love the ambiance lighting and so decided to take this shot with my Shanghai TLR on Kodak TMAX 400.
Saturday, October 09, 2021
DITN series – Ticking Clock
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| Ticking Clock © 2007 Martin Liew Photography |
Tick tock tick tock... The clock was still ticking when I made this photograph at the former Singapore National Stadium in April 2007. 2225 hrs. The clock time was the exact time I pressed the shutter release on my Shanghai TLR with a roll of Kodak TMAX 400. A 6-minute exposure on Bulb mode at f/22. A manual strobe was fired from the camera right behind the pillar, out of sight and aiming at the clock. The area was really in very low light condition, hence the strobe light was necessary so as to show more details.
View more of my photography work on my website.
Wednesday, October 06, 2021
DITN series – Grandstand
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| Grandstand © 2007 Martin Liew Photography |
The Grandstand at the former Singapore National Stadium; the gateway to the seating area. What really attracted me to make this photograph was the ambiance of lighting in the background, hidden by the header board. The light hit the metallic gate and cast shadows on the foreground, along with the symmetrical arrangement of squarish light flooring. All elements fell into place and this photograph was made possible with my Shanghai TLR on a roll of Kodak TMAX 400. Only one frame was exposed for 10 minutes on Bulb mode at f/22. The negatives were developed and scanned for post-process in Adobe Photoshop.
Sunday, October 03, 2021
DITN series – Stadium Light Tower
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| One of the four floodlight towers at the former Singapore National Stadium. © 2007 Martin liew Photography |
View more of my photography work on my website.
Friday, September 24, 2021
DITN series – Gate 2
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| Gate 2 @ former Singapore National Stadium © 2007 Martin Liew Photography |
View more of my photography work on my website.
Wednesday, September 22, 2021
DITN series – Stadium Ticket Booth
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Stadium Ticket Booth © 2007 Martin Liew Photography |
Good evening nightographers! Tonight I want to show you this night photograph I made back in early April 2007. I bet most of you do not know this place despite the photo title's giveaway. Tonight's air lingered with nostalgia. Make the jump now for more photos.
Monday, September 13, 2021
Thursday, September 09, 2021
DWELL IN THE NIGHT Official Release
Good evening nightographers! Hope everyone has a great week. Tonight I'm excited to announce the release of my life-long night photography project, Dwell In The Night. It's been a long journey for me since I started this project in late 2004. To date, there are 30 photographs and more to come. All photographs are made with an old Shanghai TLR camera on 120 medium format black and white film.
Click on the project title highlighted above to view the photographs on my website. I hope you enjoy viewing my works as much as I enjoy making them. Do subscribe to my blog if you haven't already done so, and follow me on my Instagram and NQN Instagram.
Thank you for reading.
Wednesday, August 25, 2021
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